The
Temple of Ramses II along with that of Nefertari
was threatened by submersion in Lake Nasser
due to the construction of the High Dam.
During the saving operation, which began
in 1964 and continued until 1968, the two
temples were dismantled and raised over
60 meters up the sandstone cliff where they
had been built more than 3,000 years before.
Here they were reassembled, in the exact
same relationship to each other and the
sun, and covered with an artificial mountain.
Most of the joins in the stone have now
been filled by antiquity experts, but inside
the temples it is still possible to see
where the blocks were cut.
An exhibition of photographs showing the
different stages of the massive removal
project.
Abu Simbel was first reported by J. L. Burkhardt
in 1813, when he came over the mountain
and only saw the facade of the great temple
as he was preparing to leave that area via
the Nile. The two temples, that of Ramses
II primarily dedicated to Re-Harakhte, and
that of his wife, Nefertari dedicated to
Hathor, became a must see for Victorians
visiting Egypt, even though it required
a trip up the Nile, and often they were
covered deeply in sand, as they were when
Burkhardt found them.
Perhaps after the Giza pyramids, or coincident
with them, the great temple of Abu Simbel
presents the most familiar image of ancient
Egypt to the modern traveler and reader.
When the conservation efforts to preserve
the temple from the soon-to be built High
Aswan Dam and its rising waters were begun
in the 1960s, images of the colossal statues
filled newspapers and books. The temples
were dismantled and relocated in 1968 on
the desert plateau, 200 feet above and 600
feet west of their original location.
Abu Simbel lies south of Aswan on the western
bank of the Nile, 180 miles south of the
First Cataract in what was Nubia. The site
was known as Mena in ancient times and was
first documented in the 18th Dynasty, when
Ay and Horemoheb had rock-cut chapels carved
in the hills to the south. Ramses II, called
"the Great," built seven rock-cut
temples in Nubia. The rock-cut Temple of
Ramses II on the west bank of the Nile at
Abu Simbel is the greatest of these. Europeans
did not see this temple until J.J. Burkhardt
discovered them in 1813.
The temple, called (Hwt Ramses MeryAmun)
the "Temple of Ramses, beloved of Amun,"
was begun fairly early in Ramses' long reign,
specially made some time after his fifth
regional year, but not completed until his
35th regnal year. The four-seated colossal
statues of Ramses dominate the massive facade
of the main temple. These familiar representations
are of Ramses II himself. Each statue, 67
feet high, is seated on a throne and wears
the double crown of Upper and Lower Egypt.
Each is taller than the famed Memnon Huge
statue at Thebes, and all are sculpted directly
from the rock face. The thrones are decorated
on their sides with Nile gods symbolically
uniting Egypt. Burkhardt said of the first
face on the left that it "was the most
expressive, youthful countenance, approaching
nearer to the Grecian model of beauty than
that of any ancient Egyptian figure I have
seen". An ancient earthquake damaged the
statues. One is demolished from the waist
up.
Between
the legs and on each of their sides stand
smaller statues of members of the royal
family. The smaller statues of relatives
were probably, for the first southern huge
statue: Queen Nefertari by the left leg,
the king's mother, the great wife of Seti
I, Muttuya by his right leg, and Prince
Amenhirkhopshef in front. For the second
southern huge statue, Princess Bent'anta
stood by the left leg, Princess Nebettawyby
the left, and one unnamed female figure,
probably that of a minor royal wife named
Esenofre.
The family statues at the first northern
huge statue were, Queen Nefertari, Princess
Beketmut and Prince Ramses in front. For
the second northern huge statue, there were
Princess MeryAmun, Queen Muttuya and Princess
Nefertari. Under these giant sculptures
are carved figures of bound captives.
The open space or terrace, which fronted
the temple, contained two tanks for the
ablutions of the priests. On the northern
side of this terrace stood a small sun-chapel,
and on the south, stood a chapel of the
god Thoth. Above the entrance, a figure
of the falcon-headed sun god Ra' is shown
worshipped by flanking images of Ramses.
The rebus figure of Ra contains the prenomen
of Ramses II, or Userma'atre: the falcon
headed god Ra has next to his right leg
the glyph showing the head and neck of an
animal, read User, and the goddess at his
left leg is ma'at. At the top of the temple
facade is a row of monkey statues in adoring
attitudes, said to welcome the rising sun.
A stela at the southern end of the external
terrace is called "the Marriage Stela,"
and is a copy of the record of one of Ramses
II's diplomatic triumphs, his marriage to
a daughter of the Hittite king Hattusilis
III. Within the temple a series of chambers
becomes increasingly smaller as the floors
of the rooms rise noticeably. This is a
basic convention of temple design, as one
move into the temple deeper to the sanctuary,
which would contain the primeval mound of
creation, rising out of the waters of Nun.
The first hall within the temple contains
eight large statues of the king as Osiris,
four on each side, which also serve as pillars
to support the roof. The walls are decorated
in relief with scenes showing the king in
battle, including the great battle of Kadesh
on the north, and Syrian, Libyan and Nubian
wars on the south wall, and also presenting
prisoners to the gods. On the north entrance
wall in this Hypostyle hall a scene shows
Ramses in the presence of Amun, to whom
the king appealed during his battle at Kadesh
against the Hittites.
Behind
the first hall is a second smaller hall
with ritual offering scenes. Here in one
scene both Ramses and Nefertari are depicted
before the sacred barque of Amun, and in
another, before the sacred barque of Ra-Horakhaty.
Three doors lead from here into a entrance
hall, and then one reaches the sanctuary(place
of safety). The sanctuary contains a small
altar and in its back place are four statues.
These religious group images represent Ramses
II himself, and the three state gods of
the New Kingdom, Ra-Horakhaty of Heliopolis,
Ptah of Memphis and Amun-Ra' of Thebes.
Before the statues rests a block upon which
would have rested the sacred barque itself.
The axis of the temple is arranged so that
on two days of the year, in February and
October, the rising sun shoots its rays
through the entrance and halls until it
finally illuminates the sanctuary statues.
To the north of the main temple a smaller
temple was built in honor of Ramses great
wife, Nefertari, and the goddess Hathor.
This temple should not be confused with
the beautiful Tomb to Nefertari in the Valley
of Queens near Thebes. As with Ramses' own
temple, the Rock face was cut back to resemble
sloping walls of a pylon. Six huge standing
figures 33 feet high four of Ramses and
two of Nefertari, were cut from the rock
face, along with smaller figures of the
royal family. An inscription over the entrance
reads "Ramses II, he has made a temple,
excavated in the mountain, of eternal workmanship,
for the chief queen Nefertari, beloved of
Mu, in Nubia, forever and ever, Nefertari
for whose sake the very sun does shine."
Inside, Nefertari temple has a single pillared
hall, with carved Hathor heads atop the
pillars. On the sides facing the center
of the hypostyle; Ramses is shown smiting
his enemies and offering before various
gods, while Nefertari is shown, graceful
and slender, with hands raised. Three doors
lead to a entrance hall with additional
rooms at either end. The sanctuary is complete,
though two spaces were left on its sidewalls
for doors to rooms, which were never cut.
The inner chamber contains a number of images
interrelating the royal couple and the gods.
On the rear wall, Hathor is depicted in
high relief as a cow emerging from the western
mountain, with the king standing under her
chin. Nefertari is shown repeatedly participating
in the divine rituals on an equal footing
with the king. On the left wall, Nefertari
is seen worshipping before Mut and Hathor,
and on the right, Ramses worships before
images of his deified self and his wife.
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